So it’s the day after TIFF, and I’m exhausted. I got a lot of sleep yesterday since I decided against seeing the People’s Choice Award winner — Room. I had already watched it on Tuesday at the Toronto premiere and after watching the trailer today and getting choked up just watching fragments of the film, I think I made the right choice.
And yes, it is just as terrific as you have heard. I will have a more comprehensive capsule review for it later this week. So in the meantime, here’s a few smaller reviews (along with links to the films’ synopses), along with a picture of the special guest from the Midnight Madness screening of Takashi Miike’s Yakuza Apocalypse. It’s best you don’t ask what it is, because I am still not sure.
There is a fierce bidding war on-going for Ilya Naishuller’s Hardcore, and for good reason. It is unlike anything we have ever really seen in a movie before. Think the video game series Call of Duty meets Crank (which itself was akin to a video game), but high on cocaine. The lead character is named Henry, but he is really you since the film takes place entirely through first person POV. He has just been brought back from the dead as a super soldier, and when his wife is taken from him, he intends to destroy his way through Russia until he finds her.
Hardcore is a bit weak storywise (and somehow moderately confusing with some character motivations), but it makes up for it all in its relentless and kinetic visuals. The camera is always moving and the action very rarely stops. And it only becomes more intense and ridiculously violent as it goes along. Thankfully the film never feels like a gimmick like that sequence we all remember from the Doom film adaptation in 2005. Naishuller uses the camera to feel like a genuine part of the action, allowing for the visuals to become truly creative and inventive. Sharlto Copley of District 9 and Elysium shines as a bizarre accomplice and guide named Jimmy, giving a performance that is beyond description. He is off-the-wall and practically delirious in nearly every instance. If you can think of the most ludicrous thing you can while reading this, chances are Copley does it during the film (including an absolutely insane musical number).
Hardcore will not be for everyone — a person fainted at my screening, and it is quite nauseating in some instances with the way the camera moves. But it is a lot of fun, and a product that feels genuinely unique. Prepare yourself and strap in for the ride.
So there was a really big learning curve this year taking the whole week off for TIFF: do I see as many movies as I possibly can, or do I only see a select few and spend the rest of the week writing? As you can probably tell, I picked seeing the movies. I have 3 scheduled for today, but the first does not start until 6:45 tonight — and tickets are still available, so I am not anticipating a crowd.
I’ve been running behind on posting photos as well, so here’s a taste of the main cast from Spotlight on stage after the premiere on Monday, along with the real journalists they were portraying:
So here are a few more things I learned, or have confirmed over the past few days:
Well the cat’s out of the bag — Michael Moore’s secret documentary Where To Invade Next premiered on Thursday night at TIFF and it was nothing like anyone expected. Instead of skewering the American government and their foreign policies abroad, Moore decided to travel various European countries and discuss social/economic improvements they made that could help improve the quality of life in the US. The only footage on US soil is archived news and cell phone videos.
What he discovers abroad is initially ludicrous in how wildly different it is from American (and by proxy Canadian) life. 8-week vacations in Italy. Amazing school lunch programs in France. Free college education in Slovenia. Some of the things he discovers are downright mind-boggling. Of course, he avoids all of the social problems each of those countries have in favour of cherry-picking the best elements to contrast to American life, but that is besides the point. Instead of grabbing American government by the throat, Moore calmly and carefully lays out the ways life can be improved. It is a very different kind of movie for him, and I think that’s why it resonates so well. It provokes discourse in the best possible way, and is moving, hilarious and downright disturbing all at the same time. This is easily his best work since Bowling for Columbine, and one that does not feel like it is entirely agenda driven.
If I hold anything against it, it is that it feels a bit sluggish at 2 hours (but this could also have been due to the delayed and increasingly late time I watched it), and I’m not entirely sure his culminating thesis is sound. He presents a lot of information, and by the time the film comes to an end, it does not feel all that conclusive. Almost as if something is missing.
But that said — Moore is tired, and he wants to continue campaigning for change. But he does not want to be the only one. And Where To Invade Next may just be his last attempt at trying. Hopefully it helps.
If you can score tickets (or want to test your luck in the rush line), the film is playing at the Ryerson on Friday September 18 at 12pm and Sunday September 20 at 6pm.
So it’s Day 3, and I’ve already failed at updating daily. I knew that was ambitious…
Anyway, so far I’ve only seen one film — Where to Invade Next. It’s Michael Moore’s best work since Bowling for Columbine. Saw it at the World Premiere on Opening Night with filmgoers, press and film buyers. Apparently the film had never been unspooled for anyone at that point, and you could tell Moore was nervous and anxious before and after the film was done. I’ll have a review up shortly with my brief thoughts.
Celebrity wise, I saw Moore that night, along with Jake Gyllenhaal and Naomi Watts on the red carpet for Demolition. I’ve been doing red carpets for six years taking pics (and trying for selfies), but ever since camera phones have caught on, it seems like I get more shots of those than I do the celebrities. Or whatever enterprising idea autograph hounds have for getting their attention and ensuring the autograph turns out. Or whatever attention this girl desperately wanted from Gyllenhaal.
So here are my best efforts. Continue Reading
Tomorrow marks the beginning of TIFF — the Toronto International Film Festival. It runs for 11 days every September, this year’s running September 10-20. Nearly 300 films are screened from all over the world, and the buzz and excitement is simply unrivaled. There is just so much to do, and so much to see, that it actually becomes quite stressful planning it all. Are you going to see movies? See stars? Try to sneak into the parties? There is no right answer as everyone does something different.
I took a bit more time off work this year, so I am hoping to beat my record of seeing 19 films in 11 days (though I will not try beating my record of seeing 5(!) films in a day). And unlike previous years, I will be blogging and writing capsules of all of the films I manage to see. I may even put up a few of my best celeb photos. The goal is to be on here daily, telling stories and letting you know which films to seek out during and long after the festival when some of these movies finally see the light of day.
I have seen 2 films so far (at private and embargoed critics’ screenings last week), and their reviews should go up sometime in the next few days over on Mr. Will Wong’s website. I know I said I’ll be posting celebrity photos, but none of mine will ever compare to his — so keep an eye on that site for updates, and for reviews from me and the rest of the crew who will be all over the festival.
So kick back and prepare for the madness. But just remember, we’ll get through this.
Another Blu-ray/DVD release #ShortCuts review for you this week — this time for Cameron Crowe’s Aloha. Pretty proud of how quickly I wrote this one up. It came out a lot longer than I thought it would. But trust me, be glad I saw it and you didn’t.
Remember when I was complaining about how awful Hot Pursuit was a few weeks back? Well, I had the privilege of watching Aloha a short time later – and I think I may have found the worst movie of the year. Even that retched excuse called The Wedding Ringer was better than whatever the hell this is. Is it a comedy? Is it a romance? Is it a drama? Is it some hybrid mix of the three with thinly veiled allusions and commentaries on…everything? I could not tell you for the life of me, and I doubt writer/director Cameron Crowe could either.
Now it may sound like I am just jumping on the bandwagon and bashing this movie like everyone else did when it was released in May. But I am a huge Crowe fan – Almost Famous is legitimately one of my top five favourite films of all time. I love Fast Times at Ridgemont High, Say Anything…, Vanilla Sky and Jerry Maguire, and I did not hate Elizabethtown or We Bought A Zoo (Singles is sitting in a pile of movies waiting to be watched). But Aloha is easily the worst film he has ever done. It just lacks any form of cohesive story, the performances are all wasted, and it just comes off like a total disaster. I can readily admit I was not fully paying attention at all times, but it felt like the film had new ideas being introduced every 15 minutes, and then fully resolved without much conflict quickly afterwards.
American Ultra – Review
By David Baldwin
Six years ago in the thick of Twilight fever, Kristin Stewart starred with Jesse Eisenberg in the little seen but ridiculously enjoyable and offbeat Adventureland. It tragically came and went without much fan fare, and it wouldn’t surprise me if the film has still not found its true audience. The film was great, and the pair were great together. And now they are reuniting for this week’s offbeat American Ultra — and it may prove to be another film that will struggle to find an audience.
Mike (Jesse Eisenberg) is a stoner living with his girlfriend Phoebe (Kristen Stewart) in a small US town. He is not all there and has a number of behavioural and social problems. While he struggles to control his issues, he harbours a secret even he does not know — he is actually a fully trained government operative, and has been marked for extermination. But all bets are off when this “sleeper agent” is activated.
It gets a little more complicated from there, but at its heart, American Ultra wants to be a genuinely silly action/comedy. It just lacks all the ingredients to successfully pull it off.
As a writer, my problem has consistently been brevity. I always write too much and tend to overwrite in some cases. So as an exercise, I’ve devised #ShortCuts — short, timed reviews that I write within 15-minutes, check for spelling and grammar, and that’s it. The idea is a bit daunting for someone who has never really been limited with what he writes, but it’s something I’m keen to try out. I will continue writing long form reviews, but may try to post these a few times every few weeks and see if it helps make my writing a bit more concise.
With that, here are my #ShortCuts reviews for Hot Pursuit and Unfriended, both hitting Blu-ray/DVD this week.
Southpaw – Review
By David Baldwin
If you have had the misfortune of seeing the trailer for this week’s Southpaw, you may be disappointed when you watch the movie. It is common place for a film trailer to give away the best parts of the movie. That is nothing new. But Southpaw‘s trailer gives away all but the entirety of the film. A little disheartening but even with that in mind, the film may still rank as one of the best this summer has given us.
Billy Hope (Jake Gyllenhaal) is an unstoppable force as a boxer. He has a storied past as an orphan and a criminal, but he turned it all around with the help of his wife Maureen (Rachel McAdams). He is at the top of his game when tragedy strikes, losing Billy everything including the custody of his daughter Leila (Oona Laurence). With nothing to lose, he turns to veteran boxing trainer Tick Wills (Forest Whitaker) to help him turn it all around.