TIFF

Review by David Baldwin

It’s been a bit of a crazy week for me, but even crazier if you’ve been paying attention to what’s been happening with the Oscars. The wording is still a bit confusing, but The Academy announced this week that they will be handing out the awards for Best Editing, Best Cinematography, Best Makeup and Hairstyling, and Best Live Action Short, during the commercial breaks and editing together a piece to show the winners and their speeches sometime later in the ceremony.

Oh, and they are trying to hold all winners to 90 seconds for their speeches – and this includes the time it gets them to stand up, be congratulated by their loved ones and peers sitting around them, and sprint to the podium. The guys might be able to pull this off in their dress shoes, but what about the women? Is The Academy encouraging them to wear sneakers and not have trains on their dresses? Naturally everyone is furious. Petitions are being signed. Celebrities and industry people alike are speaking out and protesting the Academy’s decisions. Twitter is on fire with rage. But it’s just another day as we stumble towards the ceremony on February 24.

And with that, here’s a few words on the Oscar-nominated Documentary Short Films I missed posting about last week.

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Review by David Baldwin

I love watching the Oscars. Full stop. Despite the on-going shenanigans the Academy continues to pull on a daily basis, not to mention the seething and vile commentary from bloggers and Film Twitter, I am still very excited for this year’s ceremony. But much like the rest of you, I rarely know which Short Films to pick when I am filling out my ballot for the yearly office Oscar pool. I have had some successes in the past — and by sheer luck, went 3/3 way back in 2004 and then never again — but I typically miss properly predicting these categories entirely.

So when the opportunity arose to watch and review these films this year, I jumped at the chance. I am always well versed in the nominees for the major categories, but the Shorts have consistently been a major blind spot. And now I’m slightly more optimistic at my future picks this year. I still need to catch up on the Documentary Shorts, so today I will focus on the Animated and Live Action Shorts.

Here’s hoping the Docs are a little more uplifting, because if there’s anything these short films have in common so far, it’s that they are very bleak and depressing. And the majority of them involve children.

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Another year, another TIFF. It was my ninth year in a row of going to the festival, and my second time covering as Press — but first time where I actually used the pass as it was meant to be used. The less said about the last time, the better.

I watched 5 films before the festival, 44 films during (my own personal record!), attended 2 Press Conferences, 1 Jason Reitman Live Read (for The Breakfast Club no less), and even had some time leftover to skip a whole day to attend the wedding of a dear friend. Through all the smoking and deep, depressing films, I had a total blast and cannot wait for next year. Perhaps I’ll budget my sleeping better so I don’t doze through a good portion of a movie like The Old Man & The Gun? Probably not, but I can at least pretend that I’ll try.

I wrote quite a few words for Mr. Will Wong on a number of the films I had the opportunity to see, so here are the individual links to those reviews and the links to the Press Conferences I covered:

CAPSULE REVIEWS
Can You Ever Forgive Me?
Fahrenheit 11/9
First Man
The Front Runner
Halloween
High Life
Hold the Dark
The Kindergarten Teacher
Kingsway
Let Me Fall [Lof mer ad falla]
Life Itself
Mid90s
Monsters and Men
Nekrotronic
The Predator
A Private War
The Public
ROMA
Les Salopes or the Naturally Wanton Pleasure of Skin [Les salopes ou le sucre naturel de la peau]
A Star is Born [2018]
Wildlife

FULL REVIEW

White Boy Rick

PRESS CONFERENCES

First Man
The Front Runner

#TIFF17 has come and gone, and like most years — it kicked my ass. I saw 32 films this year between Thursday September 7 and Friday September 15 (along with 4 before the festival even began), shattering my previous best of 25 films from previous years. And I tied my personal best number of films seen in 1 day at 5. I was hoping to see 6, but the combination of Revenge starting almost an hour late (at 1AM no less) and the eye-opening experience of watching mother! were a bit too much to handle. So while I am disappointed that I cut this year short, I am more than satisfied with what I did see.

I had a lot of activity going on Twitter reviewing all the films quickly, but did get to write out a few journals for the great Oscar-tracking site NextBestPicture.com. Here are the links to the journals filled with thoughts on the films I saw, as well as some of my experiences (including getting to tell Nicolas Cage he was my spirit animal!).

On the Ground at TIFF – Days 1 & 2
Film Highlights — Call Me By Your Name, Lady Bird, Super Size Me 2: Holy Chicken!

On the Ground at TIFF – Days 3 & 4
Film Highlights — The Current War, Molly’s Game, mother!

On the Ground at TIFF – Days 5 & 6
Film Highlights — Darkest Hour, The Disaster Artist, The Shape of Water

On the Ground at TIFF – The Final Days
Film Highlights — Mudbound, Professor Marston and the Wonder Women, Three Billboards Outside Ebbing, Missouri

And here are the links to the capsule reviews I wrote for my favourite film and celebrity news site, Mr. Will Wong:

Lady Bird
mother!
The Shape of Water

Until next September!