Another year, another TIFF. It was my ninth year in a row of going to the festival, and my second time covering as Press — but first time where I actually used the pass as it was meant to be used. The less said about the last time, the better.
I watched 5 films before the festival, 44 films during (my own personal record!), attended 2 Press Conferences, 1 Jason Reitman Live Read (for The Breakfast Club no less), and even had some time leftover to skip a whole day to attend the wedding of a dear friend. Through all the smoking and deep, depressing films, I had a total blast and cannot wait for next year. Perhaps I’ll budget my sleeping better so I don’t doze through a good portion of a movie like The Old Man & The Gun? Probably not, but I can at least pretend that I’ll try.
I wrote quite a few words for Mr. Will Wong on a number of the films I had the opportunity to see, so here are the individual links to those reviews and the links to the Press Conferences I covered:
Can You Ever Forgive Me?
The Front Runner
Hold the Dark
The Kindergarten Teacher
Let Me Fall [Lof mer ad falla]
Monsters and Men
A Private War
Les Salopes or the Naturally Wanton Pleasure of Skin [Les salopes ou le sucre naturel de la peau]
A Star is Born 
White Boy Rick
The Front Runner
Having problems with my Internet connection, so forgive me for the lack of photos in the post today. But that aside, I continue being determined to write out reviews for all the films I saw at #TIFF15, and today I bring you a few more short ones. As in previous posts, I have linked to the synopses and details from the TIFF website for each film.
So it’s the day after TIFF, and I’m exhausted. I got a lot of sleep yesterday since I decided against seeing the People’s Choice Award winner — Room. I had already watched it on Tuesday at the Toronto premiere and after watching the trailer today and getting choked up just watching fragments of the film, I think I made the right choice.
And yes, it is just as terrific as you have heard. I will have a more comprehensive capsule review for it later this week. So in the meantime, here’s a few smaller reviews (along with links to the films’ synopses), along with a picture of the special guest from the Midnight Madness screening of Takashi Miike’s Yakuza Apocalypse. It’s best you don’t ask what it is, because I am still not sure.
So there was a really big learning curve this year taking the whole week off for TIFF: do I see as many movies as I possibly can, or do I only see a select few and spend the rest of the week writing? As you can probably tell, I picked seeing the movies. I have 3 scheduled for today, but the first does not start until 6:45 tonight — and tickets are still available, so I am not anticipating a crowd.
I’ve been running behind on posting photos as well, so here’s a taste of the main cast from Spotlight on stage after the premiere on Monday, along with the real journalists they were portraying:
So here are a few more things I learned, or have confirmed over the past few days:
As a film fan in Toronto, I can say I am very excited to see Suicide Squad when it is finally unleashed next August. And I can say I was even more excited to finally see some legit footage from the movie yesterday.
I have been following it intently, and even went to a few of the outdoor shoots throughout May. I was there the first night when Will Smith and apparently, Ben Affleck, were on set. I saw a bit of the digital effects work going into scenes with Smith and Margot Robbie outside of Bay Station (made up to look like a subway station from Metro City).
And I even got to see the friggin’ Batmobile one night alongside well over 500 other people cramming onto a long block of Yonge Street. It was so crazy that night that filming was delayed for 4 hours, and the on-duty police told people they had to go home before shooting would commence again. This, after they escorted the Batmobile up and down the street in all its glory.
Ghostbusters II came out in the summer of 1989. I was 2-years-old, but remember seeing it in a hotel room during a family trip at some point around then. I distinctly remember the pink slime in the sewers, and the guys riding on the Statue of Liberty. I watched the original Ghostbusters religiously before and after that time (on a taped VHS no less), but did not see that movie again for many years after that. From what I can tell and surmise, it continues to not hold up very well at all. Yet I clamoured for more adventures from Venkman, Egon, Spengler and Winston beyond the Saturday morning cartoons, but the years and rumours came and went, and Ghostbusters III never arrived.
In 2009, the flawed but really enjoyable Ghostbusters: The Video Game was released with the majority of the original cast intact, along with a story taking place very shortly after the second film. It was not the sequel we all had been hoping for, but it was as close as we ever got.
I say this all because what I really want to see, and what I will bet just about every film fan alive in the 1980’s and early 1990’s wants to see, is Ghostbusters III. But with Harold Ramis passing away, and the remaining cast not getting any younger, this pipe dream seems like a virtual impossibility.
But fear not – because Sony confirmed yesterday that on top of Paul Feig’s female-lead spiritual sequel/reboot/reinvention/whatever coming next July, they also have a Channing Tatum-lead follow-up planned, another follow-up involving an Avengers-style team-up between both of the new Ghostbuster teams, and some form of a prequel. Whether this is a full-fledged remake of the first film or not remains to be seen. So more or less, Sony is creating another enchanted cinematic universe. Continue Reading
Let’s be honest here: how cool does that new lightsaber look?
If you were online at any point yesterday, chances are you saw the first teaser trailer for Star Wars: The Force Awakens (is it even going to have an Episode VII subtitle?). It is playing in a handful of theatres across the United States and two in Canada this weekend only, and then apparently being released again later in December — likely with The Hobbit: The Battle of the Five Armies.
But if you somehow missed it, I have attached it under the jump.
I really do not understand why, but I feel compelled to write about Robin Williams tonight. He was found dead this morning, an apparent suicide after suffering from severe depression. While there have been many of the obligatory “RIP” posts on Facebook and Twitter (including one from myself), there have been just as many, if not more, talking about mental illness and how to help/get help if you or a loved one is suffering. That’s great and all, but do we really need to wallow on the circumstances of his death, or should we be praising the resume of incredible work this gifted comedian and actor left behind?