I didn’t hate Fifty Shades of Grey when I watched it at a packed screening back in 2015. And I didn’t hate Fifty Shades Darker when I watched in at home last Spring in all its timid “Unrated” glory. Both films were badly written and badly acted, but they were functional pieces of entertainment that were clearly not designed for me. They provided some intentional and unintentional laughs, and were not nearly as bad as some of the films I actually went to see purposely.
But the finale, Fifty Shades Freed — or climax as the posters so playfully tease — is a whole other beast entirely. And while I joked on Facebook that it was a “triumph of cinema”, it is easily the exact opposite.
After multiple release date changes and some troubling rumours, Netflix finally cleared up any and all confusion about The Cloverfield Paradox tonight. Once called God Particle, once called Cloverfield Station, we finally have the third entry in the loosely connected Cloverfield series. And despite some excitement earlier this evening with Netflix’s bold decision to drop a teaser during the Super Bowl — for a film that would start streaming immediately following the big game — the long awaited film is not all that great.
Rather than type up a full review (it is almost 2 AM after all), I figured I would just deliver a few thoughts on the film, and do my very best to avoid some of the more spoilerish elements. Continue Reading